a review of Jenny Erpenbeck’s The End of Days
In Erpenbeck’s world, everything is connected. Stylistically, this is conveyed through tiny parallels and repetitions—elusive leitmotifs that echo across the protagonist’s alternate lives. Indeed, the book’s basic theme of birth and death indirectly recurs in the minutiae of its imagery. In this way, Erpenbeck deploys the smallest details to recapitulate her ideas. One character considers how the bruises on corpses “change colour in the coffin,” and speculates that “this metamorphosis of colours” might stand in for “the sorts of development of which the person was no longer capable”—the other lives they might have lived.